Frequently Asked Questions

MyInfluencers is an influencer booking platform and marketing agency operating in Qatar, Jordan, Palestine and Algeria. We connect brands with vetted content creators and manage campaigns end to end — from creator selection and contracting to content approval and performance reporting.

Yes. International brands entering Qatar, Jordan, Palestine, Algeria or the wider GCC are a core part of our client base. We handle localization, dialect fit and cultural review so your campaign lands correctly.

Both, in practice. We hold direct contracts with the creators on our roster like an agency, but you book them individually with per-creator pricing rather than buying a bundled retainer. You get agency-level management without agency-level overhead.

Yes — creators in our four markets can apply through the contact page. We evaluate audience authenticity, content quality and professionalism before onboarding.

Rates vary by creator size, platform and content format. Nano influencers (under 50K followers) can start from a few hundred dollars per post; macro creators and celebrities command significantly more. Every proposal we send includes transparent per-creator pricing, and we work with budgets starting from around $1,000 per campaign.

We charge a management fee that is stated separately from creator fees. You see what each creator costs and what our management costs, as two lines. We do not bury a percentage inside a quoted creator rate.

Standard terms are 50% on campaign approval and 50% on delivery of the agreed content. Creators are paid from that, on our contracts, so you settle one invoice rather than chasing individual creators. Longer ambassador programmes are usually billed monthly.

Below roughly $1,000 a campaign rarely gathers enough data to tell you anything useful. If your budget is tight, we would rather put it behind two or three micro creators in one niche than spread it thin across many — concentration beats coverage at small budgets.

Some nano and micro creators do, particularly in food and beauty where the product is the experience. Established creators do not — their calendar has a real opportunity cost. We tell you upfront which model each creator on your shortlist works with.

For a single-creator booking, content can be live within 7 days of brief approval. Multi-influencer campaigns typically take 2–4 weeks from brief to first post, depending on production complexity.

Yes, and we build it into the schedule. You get a review round on concepts and again on the finished content before anything goes live. What we protect is the creator's voice — rewriting their script into brand copy is the fastest way to make a post underperform.

No, and you should be sceptical of anyone who does. Reach depends on platform algorithms nobody controls. What we do commit to is the deliverables, the posting schedule, and creators whose recent median performance we have actually verified — which is a far better predictor than a promised number.

A post-campaign report with reach, impressions, engagement, saves, shares and link clicks per creator and per platform, pulled from the creators' own insights rather than public estimates. For longer programmes we report monthly so the next month's briefs can act on what the last one showed.

Deliverables and dates are in the creator contract we hold. If a creator misses them we replace the placement or refund that portion of the fee — you are not left absorbing it. This is the main practical reason to book through a contracted roster rather than direct outreach.

We contract a minimum live period — normally 12 months for feed posts and the natural lifespan for Stories. If you want content kept up permanently, or taken down at a set date, we agree that before filming rather than negotiating it afterwards.

Every creator is screened before joining our roster: we audit follower authenticity, engagement quality, audience demographics and brand-safety history. We reject creators with purchased followers or engagement pods.

Yes. The shortlist is a recommendation, not a fixed package — you can select from it, ask for different profiles, or name creators you already have in mind and we will approach them. You approve the final line-up before anything is contracted.

Instagram, TikTok, Snapchat, YouTube and X. Instagram and TikTok dominate engagement across our markets; Snapchat is especially strong in Qatar and the Gulf; YouTube is ideal for long-form and tech content.

It depends on the job. Macro creators buy reach and credibility fast, which suits launches. Micro creators deliver higher engagement per follower and cost far less per conversion, which suits sustained selling. Most campaigns we run well use one macro creator to anchor and several micro creators to carry it.

Our creator contracts include brand-safety and conduct clauses letting us pause or pull content. If something breaks during a live campaign we contact you the same day with options — pause, remove, or continue — rather than letting you discover it yourself.

Yes. We run UGC programs where creators produce licensed content for your ads and social channels without necessarily posting on their own accounts.

Yes, when usage rights are agreed before production — and we negotiate them upfront as standard. Rights are priced by duration and channel, for example 12 months of paid social and website use. Buying rights after the content performs costs considerably more.

Yes. Every paid placement is disclosed using the platform's own paid-partnership tools plus clear wording in the caption. Beyond being required, undisclosed advertising is a real credibility risk with Arab audiences, who spot it quickly and punish it.

We do. You ship to one address, or we arrange local sourcing, and we handle distribution, tracking and confirming receipt before the content window opens. Products stuck in customs is the single most common cause of a delayed campaign in this region.

Yes — this is central to what we do. Content is briefed in the dialect the target market actually speaks: Khaleeji for Qatar, Levantine for Jordan and Palestine, Darija for Algeria. Modern Standard Arabic reads as formal and distant in creator content, and translated copy is obvious to native audiences.